Polka theatre is seeking a Visitor Services Manager to work closely with the Head of Operations and Visitor Services, facilitating the efficient day to day running of our venue.
Could Polka be looking for you?
• Do you want to champion the work of a specialist and unique national theatre for children?
• Do you love working in a public-facing venue
Summary
David Pugh Limited are looking for a Sound No 1 to join the tour of the award-winning comedy Pride and Prejudice* (*Sort of) on its 30-week tour of the UK.
More Details
David Pugh Ltd are looking for a Sound No.1 for the upcoming UK tour of ‘Pride and Prejudice (*sort of)’. If interested please send a CV to georgie@davidpughltd.com
Dates:
Rehearsals start – 17 August 2026 (London)
Show opens – 11 September (Chelmsford)
Play through until June 2027
Rate: £800/ week
£400 touring allowance plus standard rail fare between venues
Duties & Responsibilities
Duties & Responsibilities
– Ensure the seamless execution of the production during each tour move, working with the Production Sound Engineer during the load in and running the load out with local crew each week.
– Manage daily system checks and regular maintenance sessions to uphold optimal performance.
– Execute sound cues during public performances, maintaining vigilance over audio systems throughout the venue.
– Mix live inputs throughout the production and ensure all microphones are fitted correctly (where applicable), charged and ready for use throughout each show.
– Maintain the sound system’s functionality, collaborating with Autograph Sound’s technical support team as necessary.
– Attend production meetings, technical rehearsals, and dress rehearsals.
– Foster clear communication lines with other technical departments and the CSM/SM to facilitate smooth show operations.
– Collaborate with the CSM to supervise and schedule sound department staff, including technical swings and deputy operators.
– Uphold the high production standards and artistic vision set by the sound designer.
– Perform any additional duties typically associated with the role of Sound No.1 on a touring show.
– Manage the show’s stock of consumables and mics, liaising with the Sound Designer and Production Sound Engineer where necessary.
Person Specification
– Demonstrable experience in operational sound, showcasing excellent technical proficiency.
– Proficiency with QLab playback and show control software, preferably with previous experience using Yamaha digital mixing consoles & processors with Dante network audio.
– Flexible and self-motivated, capable of collaborating effectively with actor/musicians, the technical team and local staff in each venue.
– Possess a composed and practical approach to troubleshooting technical issues.
– Ability to thrive under pressure in a fast-paced touring environment.
– Strong communication and organisational skills to facilitate seamless coordination.
